Roger Feldman, Department Chair of Art / Professor of Art at Seattle Pacific Universit
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Roger Feldman received his BA from the University of Washington and his MFA from Claremont Graduate University. In 1986 he received an Individual Artist Grant from the National Endowment for the Arts in Sculpture. His interactive site-specific installations have been exhibited nationally and internationally. Recent exhibits have included work shown at the Tacoma Art Museum, Suyama Space in Seattle, and Schloss Mittersill in Austria. His work in Graphic Design has included clients such as Microsoft, Boeing, Northwest Hospital, The American Cancer Society, and Harborview Medical Center. Feldman received the Prescott Award for Sculpture from CIVA (2005), and his large drawing, “Current” was included in “The Next Generation,” exhibition at MOBIA, in New York City. He has been teaching at Seattle Pacific University since 2000.
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Here is the written description---
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The interactive nature of the sculpture allows individuals to experience it from multiple directions. The semi-circular wall functions as a sound collector focusing the sound of a large creek feeding into the inlet, bringing to mind scriptural images of water. It also invites individuals to experience repentance by walking from one corner around the 180 degree curve to the other corner thereby changing their direction to head the other way.
The passage way behind the semi-circle leads from a darkened space to light. With a diagonal log leaning in the passage, one must stoop down and humble themselves to continue.
The rectangle leaning on an angle is a Golden Mean rectangle, which was developed by the Ancient Greeks as their ideal proportion that carried into architecture and mathematics and symbolizes man’s ideals.
The diagonal log, representing the “tree of life” breaks through the rectangle and leans on the semicircular wall. The log is the apex of the piece as it supports the chain which drops down to support one of the two identical triangles. The chain, often associated with bondage becomes a reference to sacrifice and support. Because of this element, humanity is set free to see beyond the immediate.
The other triangle representing half of the golden mean rectangle stands vertically lending support to the rectangle and referencing the surrounding mountains.
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Even the materials used in the installation of the sculpture have significance. The 4 x 12 beams, recycled from Malibu’s old dock are the dominant material of the sculpture. The recycled wood used now for another purpose symbolizes what happens when the Creator intersects with our lives.
The combination of these components speak to the reasons behind Beyond Malibu’s existence, and invites further exploration into that reality." Roger Feldman Summer of 2007
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